Media

NICAS COLLOQUIUM

NICAS COLLOQUIUM

NICAS COLLOQUIUM

NICAS COLLOQUIUM

NICAS COLLOQUIUM

NICAS COLLOQUIUM

4/5

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  NICAS COLLOQUIUM

  Manon Castelle presents the results of the technical investigations of the Weepers statues and the recumbent effigy of Isabella of Bourbon which provide new insights into both the organisation of the workshop involved and the technical context of production.
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  NICAS COLLOQUIUM

  Tamar Hestrin-Grader gives an introduction on the 1640IR Muselaar Project: an example of interdisciplinary, international, and inter-institutional object-centered research.
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  NICAS COLLOQUIUM

  Paolo d’Imporzano presents the latest development in lead isotope analysis: technical improvements reducing the sample size required and heterogeneity and variation in lead isotopes in 17th-century Dutch paintings.
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  NICAS COLLOQUIUM

  In this presentation, Aafke Weller gives a sneak preview of the results of a research project that aims to piece together the conservation history of each of the drawings by Rembrandt and the Rembrandt School in the Rijksmuseum, from the moment it entered the collection until the present day.
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  NICAS COLLOQUIUM

  Rika Pause introduces the project ORPI20 – Synthetic organic pigments in the beginning 20th century. It aims to investigate the production history, material technology and use of early synthetic organic pigments.
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  NICAS COLLOQUIUM

  Lambert Baij discusses a new study on highly resolved motion detection instruments that can be used as powerful techniques for the study of solvent penetration during oil paint cleaning.